Remember the last time you picked up a pen and actually stopped to look at it? Most of us don’t. We grab whatever’s lying around, scribble a note, and move on with our day. But designer Leila Ensaniat is challenging that autopilot relationship we have with one of our most familiar tools. Her creation, Pulse, recently snagged the Golden A’ Design Award for 3D Printed Forms and Products, and it’s easy to see why this isn’t your average ballpoint.
Pulse is what Ensaniat calls a “floating pen,” and that description actually makes sense once you see it. Drawing inspiration from the quiet, effortless drift of clouds, the pen feels less like a writing instrument and more like a small sculptural moment on your desk. It’s the kind of object that makes you pause, which is pretty rare when we’re talking about something as mundane as a pen.
Designer: Leila Ensaniat
What makes this design really interesting is how it blends old-school craftsmanship with cutting-edge technology. The pen features biomorphic patterns that look like they grew organically rather than being designed, and they’re created using lost wax casting in aluminum, silver, bronze, and gold. That’s a centuries-old metalworking technique typically reserved for jewelry and art pieces, not everyday writing tools. But that collision of traditional craft and contemporary design thinking is exactly what gives Pulse its unique character.
Ensaniat, who has a background as an industrial designer at Cisco specializing in consumer electronics, brings a tech-world sensibility to object design. Her approach centers on human-centered design, which basically means she’s thinking hard about how we actually interact with objects rather than just how they look on a shelf. With Pulse, that philosophy translates into something that feels natural in your hand while also making you reconsider what a pen can be.
The surface treatments are particularly thoughtful. Those nature-inspired patterns aren’t just decorative, they enhance both the visual appeal and the tactile experience of holding the pen. It’s a detail that matters more than you’d think. When an object feels good to touch, when it has texture and weight that seems intentional, it changes your relationship with it. You’re more likely to keep it on your desk, to reach for it specifically, to actually care about this tool that usually gets treated as disposable.
What’s fascinating about Pulse is how it sits at the intersection of sculpture and utility. The design explores that balance between being something you want to look at and something you actually need to use. Plenty of designer pens lean too hard into the luxury angle and end up feeling precious and impractical. Others focus purely on function and look forgettable. Pulse seems to nail that middle ground where form and function aren’t competing, they’re collaborating.
The project also gave Ensaniat deeper insight into the metal finishing and plating industry, which might sound technical but is actually important. Understanding how materials behave, how different metals can be worked and finished, how surface treatments hold up to actual use, that knowledge separates decorative design from functional design. A beautiful pen that tarnishes after a week or feels unbalanced when you write isn’t really good design, it’s just good marketing.
Created for her brand N I L A, which focuses on integrating technology seamlessly into everyday life, Pulse represents a broader design philosophy about making thoughtful, human-centered objects that solve real problems while also being distinct and meaningful. It’s an approach that feels increasingly relevant as we’re surrounded by more and more identical mass-produced stuff. Pulse won’t revolutionize how we write, and it’s not trying to. But it does suggest that even the most familiar, seemingly finished objects in our lives still have room for fresh thinking. Sometimes all it takes is a designer willing to ask why something has to be the way it’s always been, then having the skill to actually answer that question with something better.
