Most storage furniture sits where you put it, fixed shelves and cabinets that do their job but rarely respond to how space changes during a day. Trolleys help with mobility, but they often feel generic, more utility than character. Harbor 051 is a storage trolley that borrows its logic from a place built entirely around movement and stacking, Busan Port, where containers shift and cranes swing in a constant choreography.
Busan’s harbor is where standardized containers are stacked and moved in regular patterns, and where cranes handle goods with a rhythm that becomes its own visual language. Harbor 051 takes that logistical landscape and reinterprets its structure and rhythm into storage furniture, applying the repetition and organized arrangement of containers to the way the trolley is built and used at home, echoing the port’s distinctive sense of flow.
Designers: Ho joong Lee, Ho taek Lee
The trolley consists of four container-like boxes stacked on a wheeled base, each able to pivot around a central axis. In a narrow hallway or next to a desk, you keep them aligned as a compact tower. When you settle on the sofa or work at a table, you swing modules out to the side, opening up access to books or supplies without taking over the floor.
A vertical mast rises from the top, capped with a horizontal beam that doubles as a light. It reads like a tiny crane or gantry, giving the trolley a clear front and sense of direction. In a living room, that light becomes a reading lamp or soft ambient glow, while the mast acts as a subtle signpost, a little landmark instead of anonymous storage hiding in a corner.
The colors are pulled directly from Busan and its port. Yellow comes from cranes and working equipment, navy and blue from the sea in front of and beyond the harbor, and red from the camellia flower that represents the city. In practice, that means a base of deep blue containers, a bright yellow mast, or a red top module bringing energy into an otherwise neutral space.
Harbor 051 is more than a playful reference. The rotating structure makes storage and placement genuinely flexible, the wheels let it move between rooms, and the integrated light adds another layer of function. It is a small example of how a logistics system’s order and rhythm can become a domestic tool instead of staying at the edge of the city.
Harbor 051 brings a city’s backbone into something you can live with every day. Instead of a generic cart, you get a trolley that feels like a stack of containers paused mid-movement, ready to pivot as your day shifts. Storage does not have to be invisible to be useful; sometimes the most satisfying pieces are the ones that quietly carry a story from outside your window into the room where you spend time.
